Garnette Cadogan is an acclaimed essayist who teaches in MIT’s Urban Studies and Planning program. As befits a teacher who is also a professional creative writer, he conceives of the academic syllabus as a matrix of interconnected and recurring themes and leitmotifs, not as a schematic outline of self-contained units. In this episode, he describes how he designed his latest class, 11.S947 The Fire This Time: Race and Racism in American Cities, to draw on a wide range of cultural documents—not only written texts but also standup comedy, song, poetry, and film—to de-simplify students’ understanding of racial relations. Too often, he says, the struggle for social justice is presented in terms of a teleological progression toward freedom and inclusion, and too often victimization is presented as if it were the only experience of those on the receiving end of racism’s injustices. Oppression dehumanizes everyone, oppressor and oppressed alike, Cadogan says, but it isn’t the sum total of anyone’s being. He hopes this class will help students encounter the experiences of others in their full human complexity of joy, hope, pessimism, struggle, and imagination.